Nightline: So if Jesus were here, he'd have a corporate jet?
Meyer: He might today, they weren't available then.
I should note Joyce is also publishing her 80th book this week, titled (I kid you not) Eat the Cookie, Buy the Shoes. Dear Ms. Meyer, do you know how many people in the world would love to just eat a piece of bread and have a simple pair of flip flops to protect the soles of their feet, and instead you want to publish a whole book encouraging American Christians to indulge themselves? Do you know how many people you could feed and clothe with the money you used for your mansion, multiple private jets, and face lift?
Oh, and on the subject of her recent plastic surgery, she said that Jesus would want her to look her absolute best as she presented the gospel. Really, Joyce, really?
They asked her, “Woman, why are you crying?”
“They have taken my Lord away,” she said, “and I don’t know where they have put him.” At this, she turned around and saw Jesus standing there, but she did not realize that it was Jesus.
“Woman,” he said, “why are you crying? Who is it you are looking for?”
Thinking he was the gardener, she said, “Sir, if you have carried him away, tell me where you have put him, and I will get him.”
Jesus said to her, “Mary.” She turned toward him and cried out in Aramaic, “Rabboni!”
It hit me like a brick...."Woman,why are you crying? Who is it you are looking for?" She had Jesus on one side, angels on another, and she was still searching. I also love that the moment she did recognize him was at the sound of her own name. "Mary." I wish I could have heard his voice as he said that and watched her face dawn with ecstatic recognition and utter shock.
Here's a John Updike poem that speaks to me powerfully about the resurrection:
Make no mistake: if He rose at all
it was as His body;
if the cells’ dissolution did not reverse, the molecules
reknit, the amino acids rekindle,
the Church will fall.
It was not as the flowers,
each soft Spring recurrent;
it was not as His Spirit in the mouths and fuddled
eyes of the eleven apostles;
it was as His flesh: ours.
The same hinged thumbs and toes,
the same valved heart
that–pierced–died, withered, paused, and then
regathered out of enduring Might
new strength to enclose.
Let us not mock God with metaphor,
analogy, sidestepping, transcendence;
making of the event a parable, a sign painted in the
faded credulity of earlier ages:
let us walk through the door.
The stone is rolled back, not papier-mâché,
not a stone in a story,
but the vast rock of materiality that in the slow
grinding of time will eclipse for each of us
the wide light of day.
And if we will have an angel at the tomb,
make it a real angel,
weighty with Max Planck’s quanta, vivid with hair,
opaque in the dawn light, robed in real linen
spun on a definite loom.
Let us not seek to make it less monstrous,
for our own convenience, our own sense of beauty,
lest, awakened in one unthinkable hour, we are
embarrassed by the miracle,
and crushed by remonstrance.